{"id":8627,"date":"2025-03-13T08:27:37","date_gmt":"2025-03-13T08:27:37","guid":{"rendered":"https:\/\/blogs.deusto.es\/viviendodeusto\/?p=8627"},"modified":"2025-04-07T10:46:35","modified_gmt":"2025-04-07T10:46:35","slug":"quien-investiga-en-la-universidad-de-deusto-conoce-a-sara-lenzi","status":"publish","type":"post","link":"https:\/\/blogs.deusto.es\/viviendodeusto\/2025\/03\/13\/quien-investiga-en-la-universidad-de-deusto-conoce-a-sara-lenzi\/","title":{"rendered":"\u00bfQui\u00e9n investiga en la Universidad de Deusto? Conoce a Sara Lenzi"},"content":{"rendered":"\n<p class=\"has-text-color has-link-color\" style=\"color:#005fa8\"><strong><a href=\"#English\">Read in English<\/a><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/1-2-1024x1024.png\" alt=\"\" class=\"wp-image-8629\" style=\"width:512px;height:auto\" srcset=\"https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/1-2-1024x1024.png 1024w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/1-2-300x300.png 300w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/1-2-150x150.png 150w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/1-2-768x768.png 768w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/1-2-100x100.png 100w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/1-2.png 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>Sara Lenzi es una investigadora Ikerbasque (Ikerbasque Research Fellow) en el Instituto Tecnol\u00f3gico DeustoTech de la Universidad de Deusto desde 2023 y pertenece<br>al equipo de Investigaci\u00f3n Deusto Design Research Group.<\/p>\n\n\n\n<p>Despu\u00e9s de comenzar su carrera como pianista y saxofonista en su ciudad natal de Trento (Italia), realiza sus estudios universitarios en filosof\u00eda de la ciencia y composici\u00f3n musical en Bolonia (Italia). En 2008 funda la primera consultor\u00eda de dise\u00f1o de sonido en Italia gracias a una financiaci\u00f3n para ideas innovadoras y mujeres emprendedoras. En 2012, ya en Singapur, dise\u00f1a experiencias multisensoriales basadas en sonido para, entre otros, el Museo de Arte y Ciencia de Singapur, el Aeropuerto Changi, Ducati Motors, BMW Asia, Volkswagen y FIAMM Energy Technology. En 2021, obtiene el doctorado y trabaja en las prestigiosas universidades de Northeastern University de Boston (EE. UU.) y en la Delft University of Technology (Pa\u00edses Bajos).<\/p>\n\n\n\n<p>Sus principales l\u00edneas de investigaci\u00f3n est\u00e1n relacionadas con la sonificaci\u00f3n de datos (el uso del sonido como medio complementario o alternativo a lo visual para el an\u00e1lisis y representaci\u00f3n de datos) y el estudio de la percepci\u00f3n del paisaje de sonido en entornos urbanos.<\/p>\n\n\n\n<p>Preside regularmente conferencias internacionales sobre investigaci\u00f3n de dise\u00f1o y estudios de sonido. Es miembro del Comit\u00e9 Ejecutivo de la Design Research Society, miembro afiliado del Center for Design de la Northeastern University de Boston, investigadora visitante en el Critical Alarms Lab de Delft University of Technology, y miembro asociado del Public Data Lab.<\/p>\n\n\n\n<p><strong>Publicaciones destacadas:<\/strong><br><br>\u25aa\ufe0f PerMagnus. Lindborg, Valentina Caiola, Manni Chen, Paolo Ciuccarelli, Sara Lenzi. Re(de)fining Sonification: Project Classification Strategies in the Data Sonification Archive. Journal of the Audio Engineering Society of America (JAES). 2024. doi: <a href=\"https:\/\/doi.org\/10.17743\/jaes.2022.0167.\">https:\/\/doi.org\/10.17743\/jaes.2022.0167.<\/a><\/p>\n\n\n\n<p>\u25aa\ufe0f Anita Zanella, Chris Harrison, Sara Lenzi, Phia Dasma, Jeff Cook.Sonification and sound design for astronomy research, education and public engagement. Nature Astronomy. Volume: 6 Page: 1241-1248. 2022.doi: <a href=\"https:\/\/doi.org\/10.1038\/s41550-022- 01721-z\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.1038\/s41550-022-01721-z<\/a><\/p>\n\n\n\n<p>\u25aa\ufe0f Sara Lenzi, Juan S\u00e1daba, PerMagnus Lindborg.Soundscape in times of change: Case study of a city neighbourhood during the COVID-19 lockdown. Frontiers in Psychology (Frontiers). 2021. doi: <a href=\"https:\/\/doi.org\/10.3389\/fpsyg.2021.570741\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.3389\/fpsyg.2021.570741<\/a><br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n\n\n\n<h1 class=\"wp-block-heading has-text-color has-link-color\" id=\"English\" style=\"color:#005fa8\">English<\/h1>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Who carries out research at the University of Deusto? Meet Sara Lenzi<br><\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/2-2-1024x1024.png\" alt=\"\" class=\"wp-image-8631\" style=\"width:512px\" srcset=\"https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/2-2-1024x1024.png 1024w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/2-2-300x300.png 300w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/2-2-150x150.png 150w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/2-2-768x768.png 768w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/2-2-100x100.png 100w, https:\/\/blogs.deusto.es\/wp-content\/uploads\/sites\/78\/2025\/03\/2-2.png 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<p>Sara Lenzi has been an Ikerbasque Research Fellow at the DeustoTech<br>Technology Institute of the University of Deusto since 2023 and is a member of the Deusto Design Research Group.<\/p>\n\n\n\n<p>After beginning her career as a pianist and saxophonist in her hometown of<br>Trento, Italy, she pursued university studies in the philosophy of science and musical composition in Bologna, Italy. In 2008, she founded Italy\u2019s first sound design consultancy, supported by funding for innovative ideas and female entrepreneurs. In 2012, in Singapore, she designed multisensory experiences based on sound for organisations including the ArtScience Museum, Changi Airport, Ducati Motors, BMW Asia, Volkswagen, and FIAMM Energy Technology. <\/p>\n\n\n\n<p>In 2021, she obtained her PhD and worked at prestigious universities such as Northeastern University in Boston (USA) and Delft University of Technology (Netherlands).<\/p>\n\n\n\n<p>Her main research interests lie in data sonification (the use of sound as a complementary or alternative medium to visual representation for data analysis) and the study of soundscape perception in urban environments.<\/p>\n\n\n\n<p>She regularly chairs international conferences on design research and sound studies. She is a member of the Executive Committee of the Design Research Society, an affiliate member of the Center for Design at Northeastern University in Boston, a visiting researcher at the Critical Alarms Lab at Delft University of Technology, and an associate member of the Public Data Lab.<\/p>\n\n\n\n<p><strong>Key publications<\/strong><\/p>\n\n\n\n<p>\u25aa\ufe0f PerMagnus. Lindborg, Valentina Caiola, Manni Chen, Paolo Ciuccarelli, Sara Lenzi. Re(de)fining Sonification: Project Classification Strategies in the Data Sonification Archive. Journal of the Audio Engineering Society of America (JAES). 2024. doi: <a href=\"https:\/\/doi.org\/10.17743\/jaes.2022.0167\">https:\/\/doi.org\/10.17743\/jaes.2022.0167<\/a>.<\/p>\n\n\n\n<p>\u25aa\ufe0f Anita Zanella, Chris Harrison, Sara Lenzi, Phia Dasma, Jeff Cook.Sonification and sound design for astronomy research, education and public engagement. Nature Astronomy. Volume: 6 Page: 1241-1248. 2022.doi: <a href=\"https:\/\/doi.org\/10.1038\/s41550-022-01721-z\">https:\/\/doi.org\/10.1038\/s41550-022-01721-z<\/a><\/p>\n\n\n\n<p>\u25aa\ufe0f Sara Lenzi, Juan S\u00e1daba, PerMagnus Lindborg.Soundscape in times of change: Case study of a city neighbourhood during the COVID-19 lockdown. Frontiers in Psychology (Frontiers). 2021. doi: <a href=\"https:\/\/doi.org\/10.3389\/fpsyg.2021.570741\">https:\/\/doi.org\/10.3389\/fpsyg.2021.570741<\/a><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Read in English Sara Lenzi es una investigadora Ikerbasque (Ikerbasque Research Fellow) en el Instituto Tecnol\u00f3gico DeustoTech de la Universidad de Deusto desde 2023 y perteneceal equipo de Investigaci\u00f3n Deusto Design Research Group. Despu\u00e9s de comenzar su carrera como pianista y saxofonista en su ciudad natal de Trento (Italia), realiza sus estudios universitarios en filosof\u00eda [&hellip;]<\/p>\n","protected":false},"author":515,"featured_media":8629,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[21,14,22],"tags":[209,224],"class_list":{"0":"post-8627","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-adn-deusto","8":"category-personal","9":"category-nuestras-historias","10":"tag-deusto-research","11":"tag-sara-lenzi-2","12":"entry"},"_links":{"self":[{"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/posts\/8627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/users\/515"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/comments?post=8627"}],"version-history":[{"count":4,"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/posts\/8627\/revisions"}],"predecessor-version":[{"id":8743,"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/posts\/8627\/revisions\/8743"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/media\/8629"}],"wp:attachment":[{"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/media?parent=8627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/categories?post=8627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.deusto.es\/viviendodeusto\/wp-json\/wp\/v2\/tags?post=8627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}